IMGpapers 1980–83

Newspapers of the International Marxist Group and its forerunners, 1980–83

Experience

Socialist Challenge No. 140, 27 March 1980 · p. 15 of the scan · 183 words

The scan: sc-n140-mar-27-1980.pdf (PDF, Marxists Internet Archive, opens at this page)

Uncorrected machine reading. This text was read by machine (Apple Vision OCR) from a scan of a newspaper page, and the page was cut into articles by machine, at the headlines found by their type size. Nothing has been corrected: expect misread words, text from a neighbouring article, and titles that are the machine reading of the headline, some of them only fragments. Quote from the scan, not from this page.
How this article was cut and titled: headline found by type size in the OCR geometry (split_tabloid.py); 1-1 of 7; machine-segmented newspaper page; uncorrected Vision OCR.

page 15 of the scan

But the music has continued to develop for the same reason its creators are hidden and their history suppressed: they black, products of life in black America.

To get a feel of the tradition of jazz, try to see the film The Last of The Blue Devils now on London at the Electric Cinema.

don't ignore exciting developments of new jazz. You have to look for this 'new music creators prefer to call it; it is still being suppressed but it is very much alive.

The highlight of Camden Jazz Week earlier this month was the McCoy Tyner On 14 April the Ensemble of Chicago perform at the Queen Elizabeth Hall in London.

These musicia is are part of the revolution which began tr take hold in black music circles in the United States around the mid-'60s. It is no coincidence that this also when was message of Malcolm black nauonansi was sweeping black America.

Like all decisive shifts in what is commonly called jazz music right from the Blue -Devils of the '30s and bebop of the '50s, the innovations

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